Featured in: Brevity
This article is featured on Brevity Blog.
The same body, rendered by dozens of artists, produces dozens of entirely different works. None wrong. None final. In this essay for The Brevity Blog, Michelle draws on her years as a nude model in 1990s New York to explore what adaptation really means — whether from life to memoir, or memoir to screen. With craft examples drawn from In Cold Blood, The Diving Bell and the Butterfly, and Lidia Yuknavitch’s Chronology of Water, she makes the case that there’s no singular right way to translate a life story, only angles worth exploring.